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Download free music. Concerts in the Live Music Archive are available for download and streaming in formats including flac, mp3, and ogg vorbis. Listen free to Autechre – Tri Repetae. Starting with the snarling, slow machine-funk of "Dael," Tri Repetae fully confirms Autechre's evolution into electronic noise kings. If not as immediately experimental as the fractured work by the likes of Merzbow, Tri Repetae expertly harnesses the need for a beat to perfectly balance out the resolutely fierce, crunching samples.

Amber is the second studio album by English electronic music duo Autechre, released on 7 November 1994 by Warp. It was the first Autechre album to be composed entirely of new material, as their debut album Incunabula (1993) was a compilation of older tracks.

Production and style[edit]

As opposed to Incunabula, which was part of Warp's Artificial Intelligence series of albums and predominantly a compilation of older material,^[3][4]Amber was described by Autechre member Rob Brown as 'genuinely the first album we put out on Warp'.^[3] Designed by Ian Anderson of The Designers Republic, the cover art is a detail of a panoramic photograph of sandstone cliffs in Cappadocia, Turkey, taken by landscape photographer Nick Meers.^[5][6]

Select described the album as a '90s update of electro's cut-'n'-paste rhythmics into the realms of the odd,' and stated that Amber 'made music by μ-Ziq or Aphex Twin seem almost conventional.'^[7]CMJ described the sound of Amber as 'entirely electronic and entirely instrumental' outside a few vocal samples.^[8] In a 2013 retrospective feature, Fact described Amber as containing 'some of Autechre's most ambient moments,' and compared several songs ('Nine' and 'Yulquen') to the works of Brian Eno, saying that their 'beatless, but powerful low-end means that they’re contemplative rather than ethereal'.^[4]Fact also described songs such as 'Montreal' and 'Piezo' as uniquely-styled pieces with 'deep veins of techno and acid house'.^[4]

Release[edit]

Amber was first released by Warp on 7 November 1994 on compact disc, double vinyl and cassette.^[9] The album was released in the United States on 24 January 1995 by Wax Trax! and TVT Records.^[10]

The album has subsequently been reissued in all major formats, including digital download.^[9] Warp notably reissued Autechre's first three albums--Incunabula, Amber and Tri Repetae--on vinyl on 11 November 2016.^[2]

Critical reception[edit]

Select's Gareth Grundy rated the album four out of five, describing Autechre as 'out on the fringes, having a good rummage for the weird and beautiful,' and stating that the album was not 'goalless experimentation. There's plenty of melody on board, it's just that it creeps up on you from behind.'^[7]CMJ writer Heidi MacDonald noted that Autechre's more rhythmic music, such as 'Glitch' and 'Piezo,' is 'almost hypnotically listenable' but that slower tracks were 'dangerously close to new age'.^[8] Ned Raggett of AllMusic gave the album a four-and-a-half star rating out of five, and compared the album to Incunabula, opining that 'a couple of tracks could be removed with no problem, while tracks like 'Montreal' and 'Slip' continue the basic Incunabula formula without noticeable change.'^[11] Raggett concluded that 'things are clearly starting to gel a little more here than on previous releases; the great leap forward becomes all the more logical in retrospect.'^[11]

In 2008, Rob Brown described listening to Incunabula and Amber again, and commented on 'how cheesy they were, and how contrasted our newer ideas are.'^[15] Brown clarified his statement in 2013, explaining that the comment 'was easily misinterpreted' and that he simply intended to say that the earlier albums 'were perhaps more simple [than their more recent work], but not in a shit way.'^[16]

In The New Rolling Stone Album Guide, critic Ben Sisario gave both Incunabula and Amber two and half stars out of five, describing them as 'smart if unexciting ambient watercolors' that 'give no indication of the innovations to follow'.^[14] Writing about Amber upon the occasion of the 2016 vinyl reissue, Pitchfork's Andy Beta stated that the melodies of 'Slip' had not aged well, and that parts of 'Glitch' and 'Piezo' were 'dulled and gentle in hindsight, knowing just what nasty and brutish sounds [Autechre] would soon wring out of their gear.'^[1] He concluded that 'What makes Amber fascinating to revisit decades on is to hear vestigial organs and sonic cul-de-sacs that Autechre would bin almost immediately after. ... prov[ing] that at one point the duo was human after all.'^[1] In 2017, Pitchfork ranked Amber at number 16 on its list of 'The 50 Best IDM Albums of All Time'.^[17]

Track listing[edit]

All tracks are written by Sean Booth and Robert Brown.

Personnel[edit]

Credits adapted from the liner notes of Amber.^[18]

• Autechre – production
• The Designers Republic – design

Charts[edit]

See also[edit]

References[edit]

Autechre Tri Repetae Rar Download Torrent

1. ^ ^abcdBeta, Andy (21 November 2016). 'Autechre: Incunabula / Amber / Tri Repetae'. Pitchfork. Retrieved 21 November 2016.
2. ^ ^abBowe, Miles (22 September 2016). 'Autechre reissue classic early albums, embark on massive European tour'. Fact. Retrieved 24 May 2020.
3. ^ ^ab'Autechre Q&A'. Collective. 15 April 2005. Archived from the original on 28 August 2011. Retrieved 17 August 2014.
4. ^ ^abcKalev, Maya (2 September 2013). 'The Essential... Autechre'. Fact. Retrieved 17 August 2014.
5. ^''Panoramics''. nickmeers.co.uk. Retrieved 15 May 2019.
6. ^Palladev, George (9 February 2018). 'Autechre — Amber. Short story behind the artwork'. 12edit. Retrieved 15 May 2019.
7. ^ ^abcGrundy, Gareth (December 1994). 'Autechre: Amber'. Select. No. 54. p. 89.
8. ^ ^abMacDonald, Heidi (April 1995). 'Autechre: Amber'. CMJ. No. 20. p. 30. ISSN1074-6978. Retrieved 24 May 2020.
9. ^ ^ab'Autechre: Amber'. Retrieved 15 May 2019.
10. ^'Amber – Autechre'. AllMusic. Retrieved 18 August 2014.
11. ^ ^abcRaggett, Ned. 'Amber – Autechre'. AllMusic. Retrieved 18 August 2014.
12. ^Larkin, Colin (2011). 'Autechre'. The Encyclopedia of Popular Music (5th concise ed.). Omnibus Press. ISBN0-85712-595-8.
13. ^d foist (Christmas 2016). 'Autechre – Incunabula, Amber, Tri Repetae'. Record Collector. No. 461. Retrieved 28 December 2018.
14. ^ ^abSisario, Ben (2004). 'Autechre'. In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. p. 29. ISBN0-7432-0169-8.
15. ^Richardson, Mark (18 February 2008). 'Autechre'. Pitchfork. Retrieved 18 August 2014.
16. ^Booth, Sean (4 November 2013). 'AAA – Ask Autechre Anything – Sean and Rob on WATMM! – Page 48'. We Are the Music Makers. Retrieved 15 May 2019.
17. ^'The 50 Best IDM Albums of All Time'. Pitchfork. 24 January 2017. p. 4. Retrieved 23 December 2017.
18. ^Amber (Liner notes). Autechre. Warp. 1994.CS1 maint: others (link)
19. ^'Official Albums Chart Top 100'. Official Charts Company. Retrieved 23 August 2019.

Oversteps is the tenth album by electronic music duo Autechre, released on Warp Records in 2010. The album was made available for official download on bleep.com and the Japanese iTunes Store on 22 February 2010; the CD and deluxe vinyl editions were released on 22 March 2010. Critics were generally quite positive about Oversteps, with many considering it more focused and accessible than previous albums. A few months after its release, Oversteps was followed by a companion EP entitled Move of Ten.

Background and production[edit]

In a March 2010 interview with Clash, Autechre members Sean Booth and Rob Brown said they did not know if any other music influenced the development of Oversteps; Booth commented that 'I don’t own a single record that sounds like 'Oversteps'.^[2] The dynamic between the duo in the studio was called 'hilariously accommodating' in the same interview, with Booth stating 'I don’t mind backing down'.^[2]

Autechre streamed a twelve-hour webcast in early March 2010, coinciding with the album's release,^[3] as they had with the releases of Untilted and Quaristice.

The album artwork was created by The Designers Republic.^[4] In an interview with Warp Records, Ian Anderson of tDR explained that the album's artwork was based on a life-long influence of Anderson's, that of man versus machine. The cover is based on the idea that '[people are] trying to be as effective as machines and do the tasks that we’ve developed machines to do', and that a relatively simple task for a computer but an arduous one for a human is to draw a perfect circle. ^[5] Anderson remarked that, in a March 2020 interview with Creative Boom editor Katy Cowan, while the duo described Oversteps as their 'the most unhuman album' to date, he thought that their material was more organic than their other work by comparison.^[6]

The artwork was created by staff at tDR who then attempted to create perfect circles by using a variety of materials and sizes.^[6] In all, seventy-two different circles were generated with paintbrushes and felt tip pens, making the covers of each format (CD, vinyl record, and in the case of digital, individual song artwork), print ad and merchandise a unique attempt at a perfectly drawn circle by a human.^[5] The concept would be applied to concentric rings forming circles for Autechre's follow-up EP, Move of Ten.

Release[edit]

Oversteps was released on 22 March 2010.^[1] Before its release, numerous fake versions of the album showed up on Internet websites, just as had happened with the previous three sets.^[2] Brown said it was 'becoming a bit of a tradition' at the time of the album's release.^[2]Oversteps peaked at number 13 on the UK Official Charts Company's Independent Albums Chart.^[7] In the US, the album peaked at No. 15 and No. 46 on Billboard'sDance/Electronic Albums and Heatseekers Albums charts, respectively, the week of 10 April 2010.^[8]

Reception[edit]

Oversteps received generally positive reviews, with most agreeing it is one of the band's most accessible albums to date. Matt Kennedy of BBC was highly complimentary, and noted that while 'Oversteps is certainly no exception to their outwardly difficult aesthetic.... Beneath the icy exterior, deceptively warm hearts beat'.^[11] He added that, as per usual, the album was not immediately accessible, but that repeatedly listening to it is 'the only method of absorbing Oversteps’ depths', concluding, 'Autechre continue to test themselves and listeners alike with stunningly intricate results.'^[11]

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Paul Clarke of Drowned in Sound agreed, saying Oversteps 'initially still seems as imposing as an abandoned warehouse surrounded by nine feet of razor wire', but 'does have entry points for the casual listener'.^[12] He compared it to mid-1990s sets by fellow IDM group Future Sound of London, saying the album's songs 'all seem to blossom out of each other to immerse the listener in a synaesthetic environment.'^[12] He concluded his review on a similar note as Kennedy, saying, 'Oversteps is still a challenging listen, and one which reveals endless layers of new detail with each spin. But it’s also their most instantly rewarding—and arguably best—album to date.'^[12]

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Patrick Sisson of Pitchfork Media said the album recalled earlier works such as Amber, saying, 'the ambience and atmospheres of Oversteps are haunting.'^[3] He also called the album 'less rigid' and 'almost organic', concluding that Autechre were 'still incorporating new designs, not merely repackaging the previous products.'^[3]

Track listing[edit]

All tracks are written by Sean Booth and Rob Brown.

Autechre Tri Repetae Full Album

References[edit]

1. ^ ^ab'Oversteps - Autechre'. Warp Records. Archived from the original on 22 March 2020. Retrieved 22 March 2020.
2. ^ ^abcdBennett, Matthew (11 March 2010). 'Autechre Interview'. Clash. Retrieved 24 August 2012.
3. ^ ^abcdSisson, Patrick (22 March 2010). 'Autechre Oversteps'. Pitchfork. Retrieved 22 August 2012.
4. ^'Autechre will leave you hypnotised'. Metro. 21 March 2010. Retrieved 13 December 2012.
5. ^ ^ab'Reasonable Person: An interview with Ian Anderson'. Warp Records. 30 April 2019. Retrieved 28 May 2019.
6. ^ ^abKaty Cowan (2 March 2020). 'Ian Anderson on Warp, Wipeout and thirty years of The Designers Republic'. Creative Boom (Podcast). No. 9. Creative Boom Ltd. Event occurs at 30:30. Retrieved 5 October 2020.
7. ^'Official Independent Albums Chart Top 50'. Official Charts Company. Archived from the original on 16 March 2018. Retrieved 22 March 2020.
8. ^'Oversteps - Autechre'. Billboard. Prometheus Global Media. Retrieved 21 August 2012.
9. ^'Oversteps - Autechre'. Metacritic. Retrieved 6 July 2012.
10. ^Bush, John. 'Oversteps Review'. Allmusic. Rovi Corporation. Retrieved 22 August 2012.
11. ^ ^abcKennedy, Matt (17 March 2010). 'Autechre Oversteps Review'. BBC. Retrieved 22 August 2012.
12. ^ ^abcdClarke, Paul (15 March 2010). 'Autechre Oversteps'. Drowned in Sound. Retrieved 22 August 2012.
13. ^Judy Clarke (22 March 2010). 'Autechre - Oversteps'. musicOMH. Retrieved 17 December 2015.
14. ^Hoban, Alex (19 March 2010). 'Album Review: Autechre - 'Oversteps' (Warp)'. NME. Retrieved 22 August 2012.
15. ^Grundy, Gareth (21 March 2010). 'Autechre: Oversteps'. The Guardian. London. Retrieved 22 August 2012.
16. ^Mike Schiller (31 March 2010). 'Autechre: Oversteps'. Pop Matters. Retrieved 17 December 2015.
17. ^Ian Mathers (10 March 2010). 'Autechre - Oversteps'. Resident Advisor. Retrieved 17 December 2015.
18. ^Shukla, Mark (3 March 2010). 'Autechre - Oversteps'. The Skinny. Retrieved 22 August 2012.
19. ^ ^abClay, Joe (20 March 2010). 'Autechre: Oversteps'. The Times. London. Archived from the original on 15 June 2011.
20. ^Matthew Laidlow. 'Autechre - 'Oversteps' - album review'. Virgin Music. Archived from the original on 22 December 2015. Retrieved 17 December 2015.
21. ^Brandon Bussolini (26 March 2010). 'Autechre Oversteps'. XLR8R. Retrieved 17 December 2015.

External links[edit]

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